This monograph represents the first comprehensive study dedicated to the interdisciplinary French philosopher Michel Serres. As the title of this project unequivocally suggests, Serres s prolific body of work paints a rending portrait of what it means for a sentient being to live in the modern world. This book reflects Serres s profound conviction that philosopher c est anticiper / to philosophize (about something) is to anticipate ( Philosophie Magazine ). According to Serres, a philosopher is someone who possesses an (...) extremely broad base of knowledge coupled with the uncanny ability to envision what "might" transpire based upon his or her astute observations concerning phenomena that are already starting to unfold in a given society. Serres s explanation of what engaging in philosophical inquiry entails encourages us to imagine all of the present and future ramifications of certain trajectories that are clearly visible all around us. From 1968 to the present, Serres has been generating forceful, prophetic visions in his works that mingle philosophy, religion, theology, contemporary science, and literature. Comprehensive and insightful introduction both illuminates pressing contemporary issues and presages potential futures-to-come. This is a remarkable achievement and a genuine gift to readers both new and old to Serres s work. -Steven D. Brown, Professor of Psychology, University of Leicester An essential book for becoming aware of the threat of a return of obscurantism despite the development of new technologies and of the necessity of a new century of "Lumieres." -Issa Asgarally, Associate Professor, Mauritius Institute of Education, founder, Foundation for Interculturality and Peace Moser s engaging prose makes this study a great read, and he demonstrates a formidable grasp on the connections within Serres work, as well as the links between Serres and other major twentieth century thinkers. -Tom Trzyna, Professor Emeritus of English, Seattle Pacific University Both timely and thorough. His provocative critique of societal malaise, from our relationship to the planet, to ourselves, to each other, and to technology, as well as the solutions envisioned through an erudite and thoughtful analysis of Serres entire philosophical corpus is a remarkable contribution to Philosophy and French Studies. -Isaac Joslin, University of Denver Keith Moser s pioneering vision of the post-Marxist era, as reflected in the syncretism of philosophy, religion, theology, science and literature in Michel Serres body of work during the last half a century, transforms human consciousness beyond its illusory genophobia that has damaged the very semiotics of life. Moser s monograph taps into a tremendous flow of energy that evokes a passionate desire in a dead humanity to re-live and re-think. -Professor Ananta Sukla, Editor, Journal of Comparative Literature and Aesthetics Keith Moser is Associate Professor of French at Mississippi State University. He is the author of "A Practical Guide to French Harki Literature, J.M.G. Le Clezio: A Concerned Citizen of the Global Village, Le Clezio dans la foret des paradoxes" (co-editor), and "Privileged Moments in the Novels and Short Stories of Le Clezio: His Contemporary Development of a Traditional French Literary Device." Moser has also contributed approximately forty essays to peer-reviewed publications such as "The French Review, The International Journal of Francophone Studies, Romance Notes, Dalhousie French Studies, Les Cahiers Le Clezio, Modern Language Review, French Cultural Studies, Forum for Modern Language Studies" (Oxford), "Interdisciplinary Studies in Literature and Environment" (Oxford), and "Pennsylvania Literary Journal."". (shrink)

InCosmos, Onfray argues in favor of a (re-) conceptualization of communication based on recent scientific discoveries. Similar to many researchers in the field of biosemiotics, the controversial philosopher posits that all life forms engage in constant semiosis. As opposed to being a singular characteristic that only homo sapiens possess, Onfray contends that all organisms are endowed with semiosic faculties that enable them to exchange information in purposeful and meaningful ways. Appealing to scientific logic, the philosopher debunks the common misconception that (...) non-human vocalizations are merely the product of an internal machinery. Onfray offers concrete examples from both the animal and plant kingdom illustrating the astounding complexity of non-human semiosis. Nonetheless, in his reflections about the advent of hyperreality, the philosopher nuances his philosophical position by underscoring what makes the human primary modelling device of “language” the most sophisticated form of semiosis that exists in the biosphere. Although all material beings communicate with each other effectively in order to survive, to relate to each other, and to reproduce, Onfray recognizes that humans appear to have a heightened predisposition for symbolic exchange. The philosopher affirms that the human Umwelt is the richest and most complex semiotic space of all. Due to the pervasive nature of human semiosis in the modern world that threatens the ability of other life forms to create, stockpile, emit, and interpret signs, the philosopher also insists that preserving the fragile semiosic diversity of the “soundscape” is the key to averting the impending, anthropogenic eco-apocalypse. (shrink)

This study explores the ecocidal ramifications of the ecological "world war" pitting humanity against the remainder of the biosphere outlined by Michel Serres and Jacques Derrida. Clearly influenced by Serres's environmentally engaged essays beginning with Le Contrat Naturel, Derrida decries the "war without mercy" epitomizing our current unsustainable relationship with the universe in his late philosophy. In The Animal That Therefore I am and The Beast and the Sovereign series, Derrida reinforces Serres's bold philosophical claim that our mistreatment of the (...) planet is emblematic of an overt declaration of war against all other life forms. Despite the fact that several passages of Derrida's... (shrink)

The purpose of this study is to probe the implications of Derrida’s linguistic theories in his late philosophy. Adopting an interdisciplinary and deconstructive approach to critical discourse analysis that erodes the foundation of anthropocentric binary thought paradigms, this exploration of Derrida’s ecolinguistic dream of a more biocentric language problematizes three specific cognitive structures that represent an unsustainable form of dichotomous thinking. The philosopher illustrates that the concept of “human” and “animal,” the “genesis myth,” and the Cartesian notion of the Bête (...) machine are deadly delusions that must be replaced with a more biocentric outlook on life. (shrink)

In the past decade, digital technology, fiber optics, cellular phones, satellite television, home computers, and the Internet have substantially transformed business, education, and leisure practices. These technologies are becoming so integrated into our daily routines that their ubiquity often goes unnoticed. We are, nonetheless, in the midst of a telecommunications revolution, and the healthcare industry is becoming a major player. The burgeoning field of home-based telemedicine is evidence of this.

In his account of visual perception, Thomas Reid describes visible figure as both ‘real and external’ to the eye and as the ‘immediate object of sight’. These claims appear to conflict with Reid's direct realism, since if the ‘immediate’ object of vision is also its direct object, then sight would be perceptually indirect due to the role of visible figure as a perceptual intermediary. I argue that this apparent threat to Reid's direct realism may be resolved by understanding visible figure (...) as the set of geometrical properties that holds between an object's visible surfaces and some particular perspective or point of view. On this relational interpretation of visible figure, and once an ambiguity over the use of the term ‘object’ is resolved, Reid's account of vision is both epistemically and perceptually direct, as well as consistent with his account of the other senses and doctrine of signs. (shrink)

In the advent of the 21st century there can be no doubt that we have entered uncharted territory as we continue to employ diverse information and communication technologies within healthcare. This is simply a matter of fact, at least for the Western world. But, as a question of value, what are the ethical and social ramifications of this healthcare trek? What assessments can we render on this murky, barely explored topography? A utopian answer is that ICT would deliver us to (...) a technologic garden of healthcare delights. Here, health-related information and services abound and healthcare professionals and patients, under the protection of an electronic, global umbrella, operate in perfect harmony for the good of patients. (shrink)

After decades of specialization within the sciences, the development and application of implantable microchips and biosensors are now being made possible by a growing convergence among seemingly disparate scientific disciplines including, among others, biology, informatics, chemistry, and engineering. This convergence of diverse scientific disciplines is the basis for the creation of new technologies that will have significant medical potential. As of today, implantable microchips and biosensors are being used as mental prostheses to compensate for a loss of normal function, to (...) remotely monitor patients' vital signs, to control the delivery of medications, and to communicate with geographically distant healthcare professionals and the outside environment. (shrink)

Philosophers and scientists have studied sensory perception and, in particular, vision for many years. Increasingly, however, they have become interested in the nonvisual senses in greater detail and the problem of individuating the senses in a more general way. The Aristotelian view is that there are only five external senses—smell, taste, hearing, touch, and vision. This has, by many counts, been extended to include internal senses, such as balance, proprioception, and kinesthesis; pain; and potentially other human and nonhuman senses. This (...) “multisensory turn” has been driven partly by developments in contemporary psychology and neuroscience, which have revealed a host of complex interrelations and interactions between sensory modalities previously thought to be distinct. Contrasts between modalities and other crossmodal phenomena, including multisensory integration, synesthesia, and sensory substitution, have also begun to receive more attention in a burgeoning scientific and philosophical literature on multisensory perception and other crossmodal effects. This article focuses on recent empirically informed contributions to the philosophy of perception, as well as key scientific works that provide important background information and insights into the nature of the senses and sensory perception. Indeed, one of the lessons of the multisensory turn, and of contemporary philosophy of mind more generally, is that philosophers ignore this body of empirical research at their peril because many human and animal senses turn out to be richer and more complex than philosophers and scientists had previously imagined, making this a fruitful area for interdisciplinary interaction and research. (shrink)

Let FΛ be a finite dimensional path algebra of a quiver Λ over a field F. Let L and R denote the varieties of all left and right FΛ-modules respectively. We prove the equivalence of the following statements. • The subvariety lattice of L is a sublattice of the subquasivariety lattice of L. • The subquasivariety lattice of R is distributive. • Λ is an ordered forest.

Deleuze, Whitehead, Bergson: Rhizomatic Connections is the first book length collection of essays exploring the relations between the work of Gilles Deleuze, Alfred North Whitehead and Henri Bergson. With contributions by established international scholars from cultural studies, philosophy and theology, Deleuze, Whitehead, Bergson examines the articulation between their concepts, methods and modes of doing philosophy and how their thought relates to different disciplines. Organized thematically, each essay examines the section themes in the context of the contrasts, differences and conjunctions--the rhizomatic (...) connections--between their shared concepts. Deleuze, Whitehead, Bergson will make a significant impact upon and contribution to the scholarship on these philosophers, challenging many of the preconceptions, the "images of thought," through which they are all too often read and interpreted. (shrink)

Rubin and Pearl offered approaches to causal effect estimation and Lewis and Pearl offered theories of counterfactual conditionals. Arguments offered by Pearl and his collaborators support a weak form of equivalence such that notation from the rival theory can be re-purposed to express Pearl’s theory in a way that is equivalent to Pearl’s theory expressed in its native notation. Nonetheless, the many fundamental differences between the theories rule out any stronger form of equivalence. A renewed emphasis on comparative research can (...) help to guide applications, further develop each theory, and better understand their relative strengths and weaknesses. (shrink)

Cramer et al. present a thoughtful application of network analysis to symptoms, but certain questions remain open. These questions involve the intended causal interpretation, the critique of latent variables, individual variation in causal networks, Borsboom's idea of networks as measurement models, and how well the data support the stability of the network results.

We attempt to defend the species-as-individuals hypothesis by examining the logical role played by the binomials (e.g., "Homo sapiens," "Pinus ponderosa") in biological discourse about species. Those who contend that the binomials can be properly understood as functioning in biological theory as singular terms opt for an objectual account of species and view species as individuals. Those who contend that the binomials can in principle be eliminated from biological theory in favor of predicate expressions opt for a predicative account of (...) species and view species as kinds. We contend that biologists' talk about species is talk about species as individuals, and we conclude that the most plausible account of species is an objectual account. (shrink)

Causal inference plays a central role in behavioral science. Historically, behavioral science methodologies have typically sought to infer a single causal relation. Each of the major approaches to causal inference in the behavioral sciences follows this pattern. Nonetheless, such approaches sometimes differ in the causal relation that they infer. Incremental causal inference offers an alternative to this conceptualization of causal inference that divides the inference into a series of incremental steps. Different steps infer different causal relations. Incremental causal inference is (...) consistent with both causal pluralism and anti-pluralism. However, anti-pluralism places greater constraints the possible topology of sequential inferences. Arguments against causal inference include questioning consistency with causation as an explanatory principle, charging undue complexity, and questioning the need for it. Arguments in favor of incremental inference include better explanation of diverse causal inferences in behavioral science, tailored causal inference, and more detailed and explicit description of causal inference. Incremental causal inference offers a viable and potentially fruitful alternative to approaches limited to a single causal relation. (shrink)

The idea that there are five senses dates back to Aristotle, who was one of the first philosophers to examine them systematically. Though it has become conventional wisdom, many scientists and philosophers would argue that this idea is outdated and inaccurate. Indeed, they have given many different answers to this question, ranging from just three (the number of different kinds of physical energy we can detect) to 33 or more senses. Perhaps surprisingly, the issue remains controversial, partly because it is (...) not clear exactly what should count as a ‘sense’. Should proprioception, balance and kinaesthesis, amongst others, be considered additional senses? And if so, how do we figure out how many senses we really have? -/- (Published in Turkish under the title ‘Çok Duyumlu Algi’). (shrink)

It is widely accepted that there is a visual field, but the analogous notion of an auditory field is rejected by many philosophers on the grounds that the metaphysics or phenomenology of audition lack the necessary spatial or phenomenological structure. In this paper, I argue that many of the common objections to the existence of an auditory field are misguided and that, contrary to a tradition of philosophical scepticism about the spatiality of auditory experience, it is as richly spatial as (...) visual experience—and in some ways even more so. By carefully considering the spatiality and boundedness of audition, along with how sounds or their sources are experienced as occurring within the surrounding acoustic environment, we can gain a better understanding of (i) our auditory experience of space and (ii) the conditions for the existence of spatial sensory fields in general in a way that does not privilege vision over the other senses. (shrink)

Each of our sensory modalities—vision, touch, taste, etc.—works on a slightly different timescale, with differing temporal resolutions and processing lag. This raises the question of how, or indeed whether, these sensory streams are co-ordinated or ‘bound’ into a coherent multisensory experience of the perceptual ‘now’. In this paper I evaluate one account of how temporal binding is achieved: the temporal windows hypothesis, concluding that, in its simplest form, this hypothesis is inadequate to capture a variety of multisensory phenomena. Rather, the (...) evidence suggests the existence of a more complex temporal structure in which multiple overlapping windows support distinct functional mechanisms. To aid in the precise formulation of such views, I propose a taxonomy of temporal window types and their characteristics that in turn suggests promising avenues for future empirical and philosophical research. I conclude by examining some philosophical implications of multi-window models for the metaphysics of perception and perceptual experience more generally. (shrink)

Many philosophers and scientists take perceptual experience, whatever else it involves, to be representational. In ‘The Silence of the Senses’, Charles Travis argues that this view involves a kind of category mistake, and consequently, that perceptual experience is not a representational or intentional phenomenon. The details of Travis’s argument, however, have been widely misinterpreted by his representationalist opponents, many of whom dismiss it out of hand. This chapter offers an interpretation of Travis’s argument from looks that it is argued presents (...) a genuine and important challenge to orthodox representational views of experience. Whilst this challenge may not be insurmountable, it places a substantial burden upon the representationalist to explain not only how experiences come to have the contents that they do, but how those contents come to feature in our conscious mental lives. (shrink)

General discussions of the appropriate relations between history and philosophy of science must be complemented by examinations of particular studies involving both fields. Martin Curd's attempt to illuminate the rationality of theory change through analysis of the Copernican Revolution is such a study; his work is undercut by serious flaws and actually displays an ahistorical approach. The result misleads both about the Copernican Revolution and the general problem of theory change in science. The study does illustrate several types of failing (...) that can vitiate efforts to bring historical considerations into philosophical discussion, namely, pitfalls in the characterization of theories, arguments, range of choices, and criteria. (shrink)

Visual perception is widely taken to present properties such as redness, roundness, and so on. This in turn might be thought to give rise to accuracy conditions for experience, and so content, regardless of which metaphysical view of perception one endorses. An influential version of this argument—Susanna Siegel’s ’Argument from Appearing’—aims to establish the existence of content as common ground between representational and relational views of perception. This goes against proponents of ‘austere’ relationalism who deny that content plays a substantive (...) role in philosophical explanations of conscious perceptual experience. Though Siegel’s argument purports to be neutral with respect to the metaphysics of perception, it relies upon an equivocation between the presentation of property-types and property-instances. Consequently, the argument begs the question against the austere relational view, and so fails to establish the desired conclusion. So while relationalists can and should allow that experiences have accuracy conditions, it does not follow from this that they have contents of any philosophically interesting or significant kind. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:American Journal of Philology 124.2 (2003) 317-320 [Access article in PDF] Julia T. Dyson. King of the Wood: The Sacrificial Victor in Virgil's Aeneid. Oklahoma Series in Classical Culture 27. Norman: University of Oklahoma Press, 2001. xii + 264 pp. Paper, $19.95. In this interesting study, Julia Dyson argues that the cult of Diana Nemorensis constitutes a crucial intertext for the interpretation of Aeneas' killing of Turnus at the (...) end of Virgil's Aeneidand the politico-religious order his action founds, namely, the Roman Empire. The project takes its bearings from the current renewal of scholarly interest in religion and sacrifice in Roman literature (e.g., Denis Feeney, Literature and Religion at Rome: Cultures, Contexts, and Beliefs [Cambridge, 1998] and Philip Hardie, The Epic Successors of Virgil[Cambridge, 1993]). In the first part of the book, "Sacrificial Victory," Dyson revisits the much-discussed scenes in which sacrifice, both literal (Laocoön's rites in Troy, Aeneas' in Thrace) and symbolic (the deaths of Laocoön, Palinurus, Misenus, etc.), are described. In the second part, "The Ghastly Priest," Dyson breaks new ground by focusing on specific details of the ritual in Diana's Arician grove and their evocation in the Aeneid, rather than appealing to an abstract concept of "sacrifice," to document a systematic pattern of allusion to the cult throughout the poem. The resulting work advances our understanding of Virgil's use of an important cult in Roman religion to give thematic coherence to his poem.Each part comprises six chapters. Part 1 examines the poem's various sacrifice-scenes, which have received considerable attention in the scholarly literature—e.g., C. Bandera, "Sacrificial Levels in Virgil's Aeneid" (Arethusa14, 1981, 217-39) and J. J. O'Hara, Death and the Optimistic Prophecy in Vergil's Aeneid(Princeton, 1990). Dyson is particularly concerned, however, to demonstrate that sacrifice fails consistently in the poem in order to develop the argument that Aeneas' death is demanded as the final sacrifice in the sequence. In her first chapter, "The Piaculaof Aeneas," she shows that Aeneas repeatedly fails to conduct sacrificial rites correctly, a failure that necessarily entails the gods' unceasing demand for further sacrifices. Chapter 2, "Tiber and Numicus," explores Virgil's allusions to the sacrificial fate of Aeneas—implied in the two divergent traditions of his end (either drowned or translated to heaven and deified while offering sacrifice on the banks of the river Numicus)—through the association, on the one hand, of Tiber with Numicus and, on the other, of Aeneas with Palinurus and other "sacrificial" victims.In chapter 3, "The Unburied Dead," Dyson develops her thesis further by demonstrating that such sacrificial deaths—often at sea and involving lack of burial—proliferate in the poem (Palinurus, Orontes, Leucaspis, Misenus, Caieta, Priam, Tarquitus) and thereby, she argues, prefigure the ultimate fate of Aeneas. Chapter 4, "Victor and Victim," examines instances of role-reversal in which sacrificer is transformed into sacrificial victim, not only in overtly religious contexts (as, e.g., Laocoön) but also, indeed primarily, on the battlefield in combat scenes which Virgil frequently invests with sacrificial detail. The diverse themes of rivers, sacrifice, and victory come together [End Page 317] in chapter 5, "Aeneas and Turnus," where Dyson analyses Aeneas' killing of Turnus (who is characterized, she argues, by association with the Tiber) in the final duel as a sacrifice that "both foreshadows and necessitates the sacrifice of Aeneas" (112). The last chapter in Part 1, "Juno's Honores," argues that Jupiter's promise to his consort that the Romans will outdo other nations in honoring her (Aen. 12.838-40) must be interpreted against Juno's demand for proper honors (i.e., sacrifices) at the poem's outset (1.46-49), a demand that can only be satisfied by further sacrifices—including that of Aeneas himself.Part 1 contains much interesting and innovative discussion of sacrifice along with some inevitable rehearsal of well-trodden ground, but it certainly establishes Dyson's thesis that Virgil alludes throughout the Aeneidto Aeneas' sacrificial... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:L’esthétique de StaceA. M. KeithAnne-Marie Taisne. L’esthétique de Stace. Paris: Les Belles Lettres, 1994. 433 pp. Paper, 280 FF. (Collection d’Etudes Anciennes 122)Anne-Marie Taisne is the author of numerous articles concerning the literary history and artistic context that inform single poems in Statius’ Silvae and self-contained passages in his Thebaid and unfinished Achilleid, papers which lay the groundwork for her comprehensive new study of the literary aesthetic on (...) display in the extant poetic oeuvre of P. Papinius Statius. In this ambitious monograph, she undertakes to explore two facets of Statius’ technical artistry, his spatial and temporal imagery, within the theoretical framework provided by ancient literary criticism. She is particularly concerned to articulate the poet’s dynamic reuse of the weighty literary tradition to which he is heir, and accordingly proposes, in her introduction, to structure her discussion around such central ancient critical issues as imitatio (mimesis) along with its close relatives aemulatio and contaminatio, and doctrina with its associated critical vocabulary of ingenium, ratio, and ars (6–10). Throughout the volume, she explicates these techniques in detailed analysis of Statian imagines, which she defines generally in the sense of “imagery” following S. Viarre (“L’image et le symbole dans la poésie d’Ovide: Recherches sur l’imaginaire,” REL 62 [1974] 263–80), and particularly by reference to individual usages of the term as they are discussed in the article on imago in the Thesaurus Linguae Latinae (11).Part 1, “Correspondances dans l’espace,” examines the spatial imagery of Thebaid, Achilleid, and Silvae in three chapters which treat (1) echo and reflection (17–52), (2) metamorphosis, multiplication, and contagion (53–119), and (3) simile (120–76). Part 2, “Correspondances dans le temps,” investigates the poems’ use of time as a structural principle, again in three chapters which discuss (1) prophecies and portents (177–236), (2) digressive elements such as ecphrases and embedded narratives (237–303), and (3) leitmotifs, or repeated patterns of imagery, such as divine and human interventions and the role of nature in the poems. The material Taisne analyzes in part 1 coheres more convincingly with her overarching theme of spatial imagery than that which she discusses in part 2 under the rubric of temporal imagery. I did not understand, for example, why nature, well discussed in connection with Statius’ use of the simile in part 1 (137–62), reappears in part 2 (331–58) with no explanation of its relevance to temporal imagery.Taisne persuasively documents the wide range of literary models on which Statius draws in all his poetry, and shows that the Thebaid makes particular use of epic and tragic models (166–68, 170, 373–75), the Achilleid of tragic and lyric models (168–71, 374–78). Her discussion of the literary echoes and wider symbolic relevance of individual passages is often very interesting, and the sheer accumulation of literary parallels is extremely impressive. I was reminded of and newly alerted to significant literary resonances on almost every page, and noticed only one incomplete assemblage of literary parallels (in her discussion of Hylas [End Page 159] in Silvae 1.2.199 [27–28], there is no mention of Theocr. Id. 13, Ap. Rhod. Arg. 1.1207–72, or Nicander apud Ant. Lib. Met. 26). The service to which this material is put, however, is not as exciting as the length of the study might lead one to hope. Throughout, Taisne argues that Statius’ deployment of imagery is consistent with the overarching thematic framework of each poem, defined as furor and horror in the Thebaid (23 and passim), an ambiguous and deceptive calm in the Achilleid (353–54 and passim), and serenity and harmony in the Silvae (28 and passim), but she does not press her analysis beyond the accumulation of imagery in the service of these themes as evidence of Statian amplificatio. This is particularly disappointing in an author so well placed to discuss the material culture of the Flavian epoch and the interrelations between Statius’ poetry (especially the Silvae) and the culture of display in Domitian’s Rome. Nevertheless, scholars will be grateful to Taisne for the material she has collected... (shrink)

Process philosophy has emerged as an approach to consciousness within contemporary science although re-consideration of Whitehead and James clearly contrasts with twentieth century materialism. In spite of controversy a number of researchers have described the concept of quantum coherence within living organisms that provides the basis of new process oriented theories. Among these researchers are Penrose and Hameroff who suggest that quantum gravity yields coherent processes fundamental to the idea of consciousness. Pribram emphasizes holographic processes in the brain that give (...) rise to quantum brain dynamics. Bohm also recognizes a central role of holographic processes in physics. The work of these researchers and the convergence with earlier work in metaphysics are described. (shrink)